MINORIA: First Spiral (Chapter II)

MINORIA: First Spiral (Chapter II) continues MINORIA as a curatorial process unfolding in chapters—each chapter testing how form gains “weight” and visibility. The project begins from a reversal of perceptual hierarchy: instead of treating the finished form as primary, MINORIA focuses on the conditions that allow form to emerge. Threshold, suspension, and indeterminacy are understood not as lack, but as generative states—where attention is tuned before meaning settles.

Following MINORIA: First Trace—a minimal gesture at the entrance where space was cleared and interpretation deliberately postponed—First Spiral introduces the first legible diagram of emergence. Composed from collected shells, the spiral functions as a material trace rather than a discrete object. The work does not “represent” a concept; it activates a situation. Found matter is selected, placed, and held in relation, allowing structure to appear without becoming a closed statement.

Installed at the threshold of A Space Gallery in Venice, the chapter…